முகப்பு பக்கம் எண் :
தொடக்கம்

471
கருணாமிர்த சாகரம் - முதல் புஸ்தகம் - இரண்டாவது பாகம் - இருபத்திரண்டு சுருதிகள்.

41-வது
Oriental Music by

"The number of variable sounds within an octave which could be clearly distinguished by could not produce pleasing melodic effects when taken together in succession, some had to be with others for purposes of determining the position of frets on the Vina. (In the sub joined state they are not identical with the other names in common use, and that even their redistribution under division into semitonic intervals, comprising the Prakriti and Vikriti Bhedas.)

SAPTA SVARAS.

PRAKRITI.

VIKRITI.

 

Total number of varieties.

Distinct notes.

Identical with others.

NOTES RETAINED

Notes Rejected.

Distinct notes.

Identical with others.

1

2

3

4

5

6

7

1. Shadjam ... Sa

...
Suddha...
...

...
 ...
 ...

...
 ...
 ...

...
 ...
 ...

Achyuta...
...
Chyuta ...

1
2
3

2. Rishabham ... Ri

...
Suddha...
...
...

...
 ...
 ...
 ...

...
 ...
Chatusruti
...

...
...
...
 Shatsruti

Sadharana
...
 ...
 ...

 4
5
6
7

3.Gandharam ... Ga

...
 ...
 ...

Suddha...
...
...

...
Sadharana Antara ...

...
 ...
 ...

...
 ...
...

8
9
 10

4.Madhyamam ... Ma

...
 Suddha... ...

...
 ...
 ...

...
 ...
 Prati ...

...
 ...
 ...

Achyuta...
 ...

Chyuta ...

11
12
13

5.Panchamam ... Pa

... Suddha... ...

...
 ...
...

...
 ...
...

...
 ...
...

Trisruti...
...
Kaisiki...

14
15
16

6. Dhaivatam ... Dha

Suddha... ...
...

...
 ...
 ...

...
 Chatusruti ...

...
...
 Shatsruti

...
 ...
...

17
18
19

7. Nishadam ... Ni

...
 ...
 ...

Suddha...
 ...
 ...

...
Kaisiki ... Kakali ...

...
 ...
 ...

...
...
 ...

20
 21
22

Total number of audible notes. ...

5

2

7

2

6

22

Actual number of Semitones. ...

5

...

7

...

...

12

Number of notes recognised and in ordinary use ...

5

2

7

2

...

16

41-வது
Oriental Music by

"The number of variable sounds within an octave which could be clearly distinguished by could not produce pleasing melodic effects when taken together in succession, some had to be with others for purposes of determining the position of frets on the Vina. (In the sub joined state they are not identical with the other names in common use, and that even their redistribution under division into semitonic intervals, comprising the Prakriti and Vikriti Bhedas.)

SAPTA SVARAS.

PRAKRITI.

VIKRITI.

 

Total number of varieties.

Distinct notes.

Identical with others.

NOTES RETAINED

Notes Rejected.

Distinct notes.

Identical with others.

1

2

3

4

5

6

7

1. Shadjam ... Sa

...
Suddha...
...

...
 ...
 ...

...
 ...
 ...

...
 ...
 ...

Achyuta...
...
Chyuta ...

1
2
3

2. Rishabham ... Ri

...
Suddha...
...
...

...
 ...
 ...
 ...

...
 ...
Chatusruti
...

...
...
...
 Shatsruti

Sadharana
...
 ...
 ...

 4
5
6
7

3.Gandharam ... Ga

...
 ...
 ...

Suddha...
...
...

...
Sadharana Antara ...

...
 ...
 ...

...
 ...
...

8
9
 10

4.Madhyamam ... Ma

...
 Suddha... ...

...
 ...
 ...

...
 ...
 Prati ...

...
 ...
 ...

Achyuta...
 ...

Chyuta ...

11
12
13

5.Panchamam ... Pa

... Suddha... ...

...
 ...
...

...
 ...
...

...
 ...
...

Trisruti...
...
Kaisiki...

14
15
16

6. Dhaivatam ... Dha

Suddha... ...
...

...
 ...
 ...

...
 Chatusruti ...

...
...
 Shatsruti

...
 ...
...

17
18
19

7. Nishadam ... Ni

...
 ...
 ...

Suddha...
 ...
 ...

...
Kaisiki ... Kakali ...

...
 ...
 ...

...
...
 ...

20
 21
22

Total number of audible notes. ...

5

2

7

2

6

22

Actual number of Semitones. ...

5

...

7

...

...

12

Number of notes recognised and in ordinary use ...

5

2

7

2

...

16
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