We are now going to do the lesson
which acquaint us with the short stories of C.N.Anadurai (endearingly
called அறிஞர் அண்ணா by the Tamils).
Anna’s contribution to the Tamil short story is singularly a unique
one and on the political scene he had the honour of being the Chief
Minister of Tamilnadu from March 1967 to February 1969. He had been
able to pen a total of 108 short stories most of which were published
in his journal திராவிட நாடு and
in other Dravidian journals. The edition of these 108 stories includes
his mini short stories too.
Anna the great orator, thinker and
reformer was born into a low middle class family in Kancheepuram.
He took his M.A. in economics from Pachayapp’s College. Madras.
The future reformer-thinker-writer-politician was already in the
making. Drawn by the ideal of Self-respect/ Movement under the leadership
of ஈ.வே.ரா.பெரியார், he thundered
on the party platforms and at other cultural literary forums, and
always pulled large crowds. He was the most powerful speaker of
the times. He took to public speaking as a duck to water. His alliterative,
rhythmic organization of his rhetoric won the applause of one and
all. He had a rare sense of humour, punching with and the ability
to have poignant digs at his opponents without wounding their feelings.
He edited the journals
திராவிட நாடு, நம் நாடு, காஞ்சி and his epistolary writing bore
a fine literary touch.
He made an indelible mark as a playwright
in Tamil
ANNA, THE NOVELIST
Anna published his first novel என்
வாழ்வு in 1940 and the last one இன்ப
ஒளி in 1968.
Anna has authored on the whole about
89 short stories plus mini short stories. The first one
கொக்கரக்கோ appeared in ஆனந்த
விகடன் in 1934. His stories were powerful exposition of the
evils that had been long eating into the very vitals of the society.
புலிநகம், தஞ்சை வீழ்ச்சி deserve
special mention. His stories focus attention on the socio-economic
disparities, privations of widow-hood. He was opposed to all meaningless
and outdated rituals and traditions. He was not for the religions
which created inequality and nurtured superstitions among people.
ஜெப மாலை, கடைசி கனவு, are stories
which deal with these issues.
Emancipation of women, Women’s right
to property, Widow-remarriage are subjects dear to his heart. The
story இரும்பாரம் based on an historical
event depicts very movingly the agonies Columbus the discoverer,
as a victim or royal prejudice under-went/
His characters are real-life characters
representing the then varied levels of social standards.
Anna’s style is uniquely self-evolved
with its rhetorical nuances of alliteration and rhyme. It’s a style
which caught the fancy of the reader irrespective of his level of
understanding, which Justify its inescapable dent on the mind.
In sum, Anna is unquestionable one
of the makers of post-மணிக்கொடி சிறுகதை
in Tamil.
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