39-வது அட்டவணை. The Chief Musical of Europe have also adopted different names for distinguishing the Vikriti Bedhas pf the severalnotes; the following Comparative table exhibits in one view their nomenclature as well as their Mathematical values from a strictly scientific point of view. (N. B. The last column is inserted merely to show the corresponding Indian NAMES; the notes are not identical with the European varieties printed in the same columns, nor are their mathematical values exactly the same-vide remarks infra on Melakartas.) No. | Nomenclature used in Harmony | Signature. | Intervals. | Relative vibration No. | Ratio. | Italian N a m e s. | French N a m e s. | German Names. | English Names. | Tonic sol-fa Names. | Indian Names | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 1 | Tonic or | b | | | Diminished first | ... | .9200 | 25:23 | Do bemolle | Ut bஙmol | Ces | C flat | . . . | . . . | | | | Keynote. | | # | | First or unison | ... | 1.0000 | 1:1 | Do | Ut | C | C | D | Sa | Shad- | | | | | | # | Augmented first | ... | 1.0417 | 24.25 | Do diesis | Ut diகse | Cis | C sharp | De | . . . | jama. | 2 | Super tonic . . | b | | | Minor second | ... | 1.0800 | 25:27 | Re bemolle | Re bஙmol | Des | D flat | Ra | Ra | | | | | | # | | Major second | ... | 1.1250 | 8:9 | Re | Re | D | D | R | Ri | Rishaba. | | | | | | # | Augmented second | ... | 1.1719 | 64:75 | Re diesis | Re diகse | Dis | D sharp | Re | Ru | | 3 | Mediant . . . | b | | | Minor third | ... | 1.2000 | 5:6 | Mi bemolle | Mi bஙmol | Es | E flat | Ma | Ga | | | | | | # | | Major third | ... | 1.2500 | 4:5 | Mi | Mi | E | E | M | Gi | Gan- | | | | | | # | Augmented third | ... | 1.3021 | 96:125 | Mi diesis | Mi diகse | Eis | E sharp | Me | Gu | dhara. | 4 | Subdominant | b | | | Diminished fourth | | 1.2800 | 25:32 | Fa bemolle | Fa bஙmol | Fes | F flat | . . . | . . . | | | | | | # | | Perfect fourth | ... | 1.3333 | 3:4 | Fa | Fa | F | F | F | Ma | Madh- | | | | | | # | Augmented fourth | | 1.3889 | 18:25 | Fa diesis | Fa diகse | Fis | F sharp | Fe | Mi | yama. | 5 | Dominant . . . | b | | | Diminished fifth | ... | 1.4400 | 25:36 | Sol bemolle | Sol bஙmol | Ges | G flat | Sa | . . . | | | | | | # | | Perfect fifth | ... | 15000 | 2:3 | Sol | Sol | G | G | S | Pa | Pan- | | | | | | # | Augmented fifth | ... | 1.5625 | 16:25 | Sol diesis | Sol diகse | Gis | G sharp | Se | . . . | chama. | 6 | Submediant or | b | | | Minor sixth | ... | 1.6000 | 5 :8 | La bemolle | La bஙmol | As | A flat | La | Dha | | | | Superdomi- | | # | | Major sixth | ... | 1.6667 | 3 :5 | La | La | A | A | L | Dhi | Daivata. | | | nant | | | # | Augmented sixth | ... | 1.7361 | 72 :125 | La diesis | La diகse | Ais | A sharp | Le | Dhu | | 7 | Leading note | b | | | Minor seventh | ... | 1.8000 | 5 :9 | Si bemolle | Si bஙmol | Bes | B flat | Ta | Na | | | | of Subtonic. | | # | | Major seventh | ... | 1.8750 | 8 :15 | Si | Si | B | B | T | Ni | Nishada | | | | | | # | Augmented seventh | ... | 1.9531 | 64 :125 | Si diesis | Si diகse | Bis | B shart | Te | Nu | | 8 | Octave | | # | | Perfect eighth | ... | 2.0000 | 1 :2 | Do | Do | c | C | D | Sa | Shad- | | | | | | | | | | | | | | | | | jama. |
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