164. In  the  presence  of  the  wife,  the  expression  of helplessness may take place
when it benefits her.
   

165. Addressing  the lover  in third person who is in front of them belongs to all ‘Vayils’
when they seek to have their requests granted.
   

166. Speaking of the old traditions, praising highly of the enjoyment, pacifying the feigned
love-quarrel  by  all  means,  emphasizing  the benefit of the domestic life, advising
him to behave as being  worthy of this  knowledge, making him understand his fault,
putting forth the  reasons citing  examples, and describing the ways of beautification
are the functions of the actors.
   

167. The  time  of  leaving  the  place  and  that  of  returning to  the  place are the
themes of expression belonging to the actors and musicians.
   

168. The  nature  of the  routes, the result of the action, the execution of the command,
the question and the answer, things found in the route. Fauna and flora of the place
and such  others which  may occur  are the  subjects of  themes pertaining to the
young attendants.
   

169. The  services in the immediate  presence,  the protection, and the behaviour worthy
of their superiors are all which also belong to them.
   

170. The  poets  say  that when the first wife who was married in accordance with the
ancient tradition,  welcomes the second wife who is credited with great wealth, and
when the first wife enters the  house  having her son a mediator, the husband may
repent for his past actions and feel remorse.
   

171. They  say  that  the  good wife  of  the  house  may  have  him in her embrance
after admonishing him, as a mother, when he is mad after her embrace.